Thursday, November 14, 2019
November 14 is National Pickle Day-Enoch Bolles has it covered!
Is there any obscure holiday that our man Bolles hasn't covered? This was painted by Grandpa Bolles for one of his grandchildren who happened to express a deep love for pickles. I have to admit that this is exactly the type of unknown Bolles that I’ve saved for my book project but don’t fret, this is the only vegetarian example. It’s just goes to show that he was an illustration omnivore!
Thursday, September 26, 2019
A Double Vision!


Every now and then I run into images that seem just a bit too close to a Bolles to be pure happenstance. A few years back I posted a cover from Esquire, that bore a striking resemblance to a classic Bolles cover. And when my friend and fellow Bolles fan, Alan let the editors of said magazine know about it, they were intrigued enough to publish his letter and the images their for readers to consider. Here we see another case where the magazine cover, published in 1993 shares a lot of DNA with the painting Bolles did for a 1937 issue of Breezy Stories. Now I'm not suggesting the art director swiped the idea from Bolles but you can't ignore the obvious similarities. It also doesn't hurt to consider that Hugh Hefner, although obviously partial to Alberto Vargas, was a fan of Bolles' work as well. The other coincidence is that the title of the feature story on the Breezy cover has the word Playboy on it! Talk about seeing double!
Thursday, September 12, 2019
September 12 is National Police Women's Day!
For this celebration we have a very special Bolles from a 1934 Film Fun. It's not only one of Bolles' most traveled images, it was the inspiration for a costume trope.

Here's a photo of Brittney Spears in concert wearing her take on Bolles and if you go on-line you can find all sorts of girl-biker-cop costumes. I have yet to find an earlier version of this so until something else turns up the credit to Enoch. I posted a version of the cover by itself and slightly enhanced the saturation of the image to show what I think the original painting looks like. And I say looks because I have hope that the original painting is still around. Several other paintings from 1934 Film Fun magazines have been saved, including the month before and after this cover. So if you know where our biker girl currently is, don't hesitate to turn her in. The authorities will thank you!Tuesday, August 20, 2019
Yesterday was International Bow Day!
As you can see, our Bolles girl is none too happy. After she learned about International Bow Day she spent hours and hours sewing this costume for the occasion, only to have me get her to the event a day late. She's already working something extra special for an upcoming celebration and you can bet I will make doubly sure she's there on time.
This Bolles girl from 1936 thought it was International Ribbon day, but she was able to make a quick fix to suite the occasion. For her sake, let's just hope she doesn't show up in this costume on National Ribbon Cutting day!
Friday, August 9, 2019
Bolles sighting!
clue just how many until I checked out the display inside the store. I just hope that someday they make one that actually gives Bolles his rightful due. Maybe we should start a write-in campaign.
Wednesday, May 8, 2019
W.C. Fields, Bolles Fan!
You have to believe that this famous Film Fun reading film star, comedian, and world class juggler was a Bolles fan. Certainly W.C.'s not perusing the pages for the jokes. Notice just how carefully he's holding the magazine, as not to get his fingerprints on the cover art. And regarding the cover art, I've made another version that gives us the Bolles girl in full color. Enjoy!
Monday, April 29, 2019
April 27 was International Sculpture Day!
This magazine cover from 1935 gives a whole new meaning to how 'modeling clay' got its name. Enoch's sly sense of humor is evident here. Many of his magazine covers, particularly the smooshes, were chock full of visual puns or double entendres. Our Bolles girl is rightly proud of her well-sculpted figurine, but she's not the only one who took notice.
As you can plainly see, to label this cover from New York Knights a swipe is to give stealing a bad name. The artist here, as many of you will recognize, is George Quintana. I think you could make a strong case that he owes his career as a cover artist to Bolles. He swiped so often and so thoroughly that his work is often misattributed to Bolles. Some of you may also know that I've written about the theory that George Quintana was a nom de plume of the artist, George Quaintance, famous for his muscle man magazine covers that predated Tom of Finland. I've shifted back and forth on my theory since then, and so for now I'll reserve judgement about who's who, but you can't ignore some similarities in their the styles and between their signatures (granted, Quintana played around with his more). Anyway if you are interested in making your own comparisons or learning more, here's a great web site on Quaintance by his biographer, Ken Furtado, who definitely comes down against the Quintana-Quaintance connection.
But back to the swiping. Bolles was definitely aware of Quintana's covers, and so were the editors of Film Fun, who brought a law suit against Quintana's most visible publication
vehicle, Movie Humor. While the lawsuit was ongoing, Movie Humor went so far as to print disclaimers on the covers to allay any confusion in the weak-eyed reader. The judge acknowledged similarities between the magazines he rejected the lawsuit. But Quintana wasn't the only artist who 'borrowed' from Enoch, and from time to time I've posted examples. I thought the theme was worth revisiting so I'll soon be starting a new series called "Cases from the Swipe Files". So stay posted, my friends.
As you can plainly see, to label this cover from New York Knights a swipe is to give stealing a bad name. The artist here, as many of you will recognize, is George Quintana. I think you could make a strong case that he owes his career as a cover artist to Bolles. He swiped so often and so thoroughly that his work is often misattributed to Bolles. Some of you may also know that I've written about the theory that George Quintana was a nom de plume of the artist, George Quaintance, famous for his muscle man magazine covers that predated Tom of Finland. I've shifted back and forth on my theory since then, and so for now I'll reserve judgement about who's who, but you can't ignore some similarities in their the styles and between their signatures (granted, Quintana played around with his more). Anyway if you are interested in making your own comparisons or learning more, here's a great web site on Quaintance by his biographer, Ken Furtado, who definitely comes down against the Quintana-Quaintance connection. But back to the swiping. Bolles was definitely aware of Quintana's covers, and so were the editors of Film Fun, who brought a law suit against Quintana's most visible publication
vehicle, Movie Humor. While the lawsuit was ongoing, Movie Humor went so far as to print disclaimers on the covers to allay any confusion in the weak-eyed reader. The judge acknowledged similarities between the magazines he rejected the lawsuit. But Quintana wasn't the only artist who 'borrowed' from Enoch, and from time to time I've posted examples. I thought the theme was worth revisiting so I'll soon be starting a new series called "Cases from the Swipe Files". So stay posted, my friends.
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