Boingboing generously linked the recent post in which I had proposed a connection between Bolles and a cover of Esquire channeled via Rihanna, and wow has this site gotten the extra hits. The typical daily average is around 200 but visits peaked over 1,200. The downside was all the comments on Boingboing were adamant that the Bolles cover had nothing, NOTHING at all to do with the Esquire cover, and others wagged a scolding finger about posting filthy, FILTHY cheesecake. Well, we Bolles fans are of a different mind, and connection or not the more significant point was Esquire's largely forgotten contribution to the history of pinup, which spun a thread running back decades to the origins of genre, and how Enoch Bolles is a part of that original fabric.
In the previous post I mentioned the intriguing 'what-if' possibility of Bolles becoming Petty's replacement at Esquire. Aside from his growing health problems I think the fact he worked exclusively in oil militated against his chances. Petty's sleek airbrushed girls were unique and readers were raving about them (though many also complained about Petty's tendency to graft two different body sizes together at the waist). It would have been foolish for David Smart to hire a replacement whose work had a wildly different appearance. Vargas not only provided a sense of stylistic continuity but he amped up Petty's streamline look even further. Curiously their techniques were completely different; Petty's unique method to airbrushing involved laying on solid colors as if they were color plate separations. By comparison Bolles was a traditionalist and the idea of using an airbrush would have been unconscionable.
That's not to say he didn't have his own debut of sorts in Esquire. In the December, 1937 issue the ad you see above appeared in its pages, featuring what came to be known as the Windy girl. Look closely and you'll see the painting was attributed to "Enoc Boles". The spelling is so derelict it makes you wonder whether the type setter was coached by David Smart, the co-founder of Esquire who later anglicized Alberto's sir-name as Varga. Smart somehow neglected to mentioned he owned the trademark for it. In Bolles' case the misspelling didn't matter so much because it was subsequently stripped out of the ad, never to appear again. Over the years the Windy girl image got updated now and then but eventually fell out of favor for other advertising campaigns. However, in 1993 the original image was back, embossed on a commemorative lighter--and retitled as the Varga girl! Being curious, to say the least, I inquired about it to the archivist at Zippo and the story went that the company founder, George Blaisdell was an admirer of Vargas but couldn't afford to hire him to bring Windy to life. Keep in mind the year was 1937. Vargas was strapped financially and would soon for Los Angeles to work in the movie industry as an illustrator and set designer, a career decision that didn't turn out well for him. Things had changed so little by 1941 that Esquire hired Vargas for a rate less than Bolles was getting for his Film Fun covers. So money wasn't the issue, it was George Petty. A Windy girl by Petty would have been the obvious first choice for Blaisdell, but Petty's rates were far above Zippo's budget, and our man Bolles stepped in. There was another factor in Bolles' favor. Unlike Petty, who was repelled by the image of a woman with a cigarette (his Old Gold ads all had the men holding the smokes), Bolles had no reticence at all. In fact he had depicted a girl smoking all the way back in 1914 on his second published magazine, a wildly popular image for Judge magazine which I think may have been the first magazine cover ever showing a woman with a lit cigarette (if you know of earlier examples please let me know). The image jump started his career and cigarettes would become a common prop for Bolles girls through the decades.
Bolles' cover for Judge was
so popular it was reprinted
as a poster.
To Zippo's credit the web-site now gives Bolles proper credit for creating the Windy girl and no longer refers to her as a Varga (threats from the Vargas estate may have had something to do with that). I also learned from the Zippo archivist that for years Blaisdell proudly displayed the original Bolles painting in his office, but sadly it has gone missing. Bolles thought enough of Windy to have carefully saved the proof of the image, which I found in stashed in a box in his grandson's basement. Now if that painting would just turn up!