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contribution to the history of pinup, which spun a thread running back decades to the origins of genre, and how Enoch Bolles is a part of that original fabric.
In the previous post I mentioned the intriguing 'what-if' possibility of Bolles becoming Petty's replacement at Esquire. Aside from his growing health problems I think the fact he worked exclusively in oil militated against his chances. Petty's sleek airbrushed girls were unique and readers were raving about them (though many also complained about Petty's tendency to graft two different body sizes together at the waist). It would have been foolish for David Smart to hire a replacement whose work had a wildly different appearance. Vargas not only provided a sense of stylistic continuity but he amped up Petty's streamline look even further. Curiously their techniques were completely different; Petty's unique method to airbrushing involved laying on solid colors as if they were color plate separations. By comparison Bolles was a traditionalist and the idea of using an airbrush would have been
unconscionable.
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Bolles' cover for Judge was
so popular it was reprinted
as a poster.
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To Zippo's credit the web-site now gives Bolles proper credit for creating the Windy girl and no longer refers to her as a Varga (threats from the Vargas estate may have had something to do with that). I also learned from the Zippo archivist that for years Blaisdell proudly displayed the original Bolles painting in his office, but sadly it has gone missing. Bolles thought enough of Windy to have carefully saved the proof of the image, which I found in stashed in a box in his grandson's basement. Now if that painting would just turn up!